Voice of women's freedom: Women’s perspective through movie Before, Now & Then (2022)

Afinada Aulia Agani, Triyono Lukmantoro

Abstract


The movie Before, Now & Then (2022) raises the theme of Nana's life history as she breaks away from patriarchal hegemony through women's perspectives. Inspired by director Kamila Andini's anxiety about the role of women in movies, she invites the audience to experience the story from a woman's perspective. This study aims to analyze the voice of women's freedom from the female gaze through the movie Before, Now & Then (2022) using Baudrillrad's simulacra method and a postcolonial perspective. This approach seeks to uncover the colonialism practices behind the movie as a superstructure of power, providing a basis for analyzing the movie. The main female character is portrayed as someone who speaks little but takes decisive action to liberate herself from patriarchy by using women's language and point of view. The movie’s storyline focuses more on the life story of Nana to escape from the patriarchal restraints inherent in people's lives, especially since the movie's storyline was in the post-ideological war West Java in 1960. The study concludes that this movie can depict women’s perspectives through its characterization and storyline.


Full Text:

PDF

References


Afifulloh, M. & N. W. (2023). Body Size on Cinema: A Critical Discourse Analysis on Contemporary Indonesian Cinema. Studies in Media and Communication, 11(1). https://doi.org/10.11114/smc.v11i1.5790

Alfathoni, M. A. M., & Manesah, D. (2020). Pengantar Teori Movie. Deepublish.

Amadea, T. (2022, August 26). ‘Before, Now & Then (Nana)’: Luka dan Trauma Jadi Perempuan dari Rezim ke Rezim. Magdalene.Co. https://magdalene.co/story/review-before-now-and-then/

Bailey, D. (2016). Beefing Up the Beefcake: Male Objectification, Boy Bands, and the Socialized

Female Gaze. http://scholarship.claremont.edu/scripps_theses/743

Baudrillard, J. (1996). The System of Objects. Verso Books.

Baudrillard, J. W. G. R. (2004). Masyarakat Konsumsi. Kreasi Wacana.

Daymon, C., & Holloway, I. (2011). Qualitative Research Methods in Public Relations and Marketing Communications. Routledge.

Juliswara, V. (2014). Pendekatan Simulakra Terhadap Kekerasan Dalam Movie Kartun Tom & Jerry. Jurnal Ilmu Komunikasi, 12(2), 150–162.

Kunsey, I. (2019). Representations of Women in Popular Movie: A Study of Gender Inequality. Elon Journal of Undergraduate Research in Communications, 10(2), 28–38.

Leonard, K. (2021, April 25). What is the Male Gaze? Definition and Examples in Movie. Studio Binder. https://www.studiobinder.com/blog/what-is-the-male-gaze-definition/

Maharam, M. E. (2021). Transnational cultures of Malaysian, Indonesian, Singaporean, and Philippine national cinema. Transnational Screens, 134–149.https://doi.org/https://doi.org/10.1080/25785273.2021.1962065

Malpas, S. (2005). The Postmodern. Routledge.

Milles, & Huberman. (1992). Analisis Data Kualitatif. Universitas Indonesia Press.

Mulvey, L. (1975). Visual Pleasure and Narrative Cinema. Screen.

Nurhadi. (2007). Poskolonial: Sebuah Pembahasan. Seminar Rumpun Sastra Di FBS UNY.

Olivia, O., & Limantara, J. E. (2023). Analisis isi: Propaganda dan asimilasi dalam Movie “Ajari Aku Islam”(2019). Bricolage : Jurnal Magister Ilmu Komunikasi, 9(2), 305. https://doi.org/10.30813/bricolage.v9i2.3568

Pasinringi, T. (2021). ‘Female Gaze’ dan Cara Pandang Dunia Lewat Lensa Perempuan.

Magdalena.Co. https://magdalene.co/story/female-gaze-dan-cara-pandang-dunia-lewat-lensa- perempuan/

Piliang, Y. A. (2012). Semiotika dan Hipersemiotika: Kode, Gaya dan Matinya Makna. Matahari.

Razali, G., & Oktaviana, D. (2023). Radical feminist representation, social cognition, and movie communication on reducing sexual harassment. Bricolage : Jurnal Magister Ilmu Komunikasi, 9(2), 245. https://doi.org/10.30813/bricolage.v9i2.3868

Ritzer, G. D. J. G. (2009). Teori Sosiologi: Dari Teori Sosiologi Klasik Sampai Perkembangan Mutakhir Teori Sosial Postmodern. Kreasi Wacana.

Rizzuti, B. (2023, June 17). What Do Flower Colors Mean in Relationships? Pairedlife.Com. https://pairedlife.com/relationships/significance-of-flower-colors-to-relationships

Samosir, C. W. (2022, January 22). Laura Basuki Bangga Bermain di Movie Before, Now & Then yang Angkat Cerita Perjuangan Seorang Perempuan. Grid.Id. https://www.grid.id/read/043107559/laura-basuki-bangga-bermain-di-movie-before-now-then- yang-angkat-cerita-perjuangan-seorang-perempuan#google_vignette

Sampson, R. (2015, October 27). Movie Theory 101 - Laura Muley: The Male Gaze. Movie Inquiry. https://www.movieinquiry.com/movie-theory-basics-laura-mulvey-male-gaze-theory/

Saputra, I. A. (2020). Riset: Representasi Perempuan di Movie & Media Masih Kurang. Kumparan WOMAN. https://kumparan.com/kumparanwoman/riset-representasi-perempuan-di-movie-and-media-masih-kurang-1sb4IBhDftg

Saumantri, T. & A. Z. (2020). Teori Simulacra Jean Baudrillard dalam Dunia Komunikasi Media Massa. Jurnal Dakwah Dan Komunikasi, 11(2), 247. https://doi.org/10.24235/orasi.v11i2.7177

Smith, G. (2020, February 22). Like a natural woman: how the female gaze is finally bringing real life to the screen. The Guardian. https://www.theguardian.com/culture/2020/feb/22/the-female-gaze-brings-a-welcome-touch-of-reality-to-art

Tracy, S. J. (2019). Qualitative Research Method : Collecting Evidence, Crafting Analysis, Communicating Impact. Wiley Blackwell




DOI: http://dx.doi.org/10.30813/bricolage.v10i2.5279

Refbacks

  • There are currently no refbacks.


Accredited by:

          

 

Indexed by:

  

        

UNIVERSITAS BUNDA MULIA PRESS

PROGRAM STUDI MAGISTER ILMU KOMUNIKASI
Lantai 3 Ruang Pascasarjana - Universitas Bunda Mulia
Jl. Lodan Raya No. 2, Ancol – Jakarta Utara 14430, Indonesia
Telp: +62 21 692 9090 ext.1317
Email: bricolage@ubm.ac.id; bricolage.mikom@gmail.com

 

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

View My Stats