WOMAN OPPRESSION IN THE HANDMAID’S TALE TV SERIES SEASON 1: TRANSITIVITY ANALYSIS

Dyah Prajnandhari

Abstract


In 2017, the adaptation of Margaret Atwood’s 1985 published book, The Handmaid’s Tale was brought up to online streaming service, Hulu. The Handmaid’s Tale TV series tells us a story about Gilead, the dystopian country that is made in result of the decreasing fertility rates. Through the protagonist, a handmaid called Offred, Atwood offers the cruel reality of women’s oppression that women face. This research focuses on the first two episodes of the TV series in season one, as the two episodes are introductory episodes. The utterances spoken by or targeted to Offred are used as the objects of this study. Stylistics approach is applied to provide the description of the story which then is combined with Halliday’s transitivity, in order to reveal Offred’s experience of being oppressed in Gilead. The oppression is seen from all five process types, relational, material, mental, behavioural, and existential. The findings found out that relational process type got the highest frequency, considering that Offred introduces her oppression and Gilead through this process type. It is also found that she used more free direct thought to narrate her story than to use free direct speech, as she opts to be silent but loud in her mind, the only place that she won’t get jailed for saying things that is forbidden according Gilead’s rules.


Keywords


The Handmaid’s Tale; transitivity; women; oppression

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References


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DOI: http://dx.doi.org/10.30813/jelc.v11i1.2402

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